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ENGL: English (UG)

297-L01
Race/Represent: Cntmp US Film
 
TR 3:25 pm - 5:00 pm
K. Chowdhury
AMCDFilmENGL*Core 
02/01 - 05/21
8/6/0
Lecture
CRN 25480
4 Cr.
Size: 8
Enrolled: 6
Waitlisted: 0
02/01 - 05/21
M T W Th F Sa Su
 

3:25 pm
5:00 pm
Online

 

3:25 pm
5:00 pm
Online

     

Subject: English (UG) (ENGL)

CRN: 25480

Online: Sync Distributed | Lecture

Online

Old Core Requirements Met:
     UG Core Human Diversity
     UG Core Literature/Writing

2020 Core Requirements Met:
     Diversity/Soc Just

Other Requirements Met:
     Amer Culture & Diff Minor Appr
     Film Studies History&Analysis
     English Diversity Req.
     Writing to learn

(2020 Core Planning Guide)

  Kanishka Chowdhury

In this course, we will consider the complex constructions of “race” in American film, addressing the following questions: how has the category of “race” been historically constructed, represented, and reproduced in American film? Why are dominant representations often so far removed from peoples’ “real” lives? How is the production of contemporary representations connected to the ways in which we continue to think about race? How do filmmakers resist static representations of race in the present, creating complex and liberating ways to rethink race, especially through its intersections with questions connected to gender, class, and sexuality? Looking at a range of films, from Spike Lee’s “classic” DO THE RIGHT THING to more recent films, such as Aurora Guerrero’s MOSQUITA Y MARI, Dee Rees’s PARIAH, and Isabel Sandoval’s LINGUA FRANCA, as well as analyzing essays by Sherman Alexie, Ta-nehisi Coates, Toni Morrison, Sofia Quintero, and Karen Tei Yamashita, among others, this course will address the complexities of these and other questions. This class satisfies a WAC Writing to Learn requirement, a Film Studies History and Analysis requirement, an English Department Diversity distribution requirement, and both a core Human Diversity requirement and Literature/Writing requirement for students under the old core program. This course also satisfies a Diversity, Inclusion, and Social Justice under the new core. This is a cross-listed course, with eight seats on the ENGL 297 side and 12 seats on the FILM 297 side. Prerequisite: ENGL 121, 190, 201, 202, 203, or 204.

4 Credits

FILM: Film Studies

297-L01
Race/Represent: Cntmp US Film
 
TR 3:25 pm - 5:00 pm
K. Chowdhury
AMCDFilmENGL*Core 
02/01 - 05/21
12/11/0
Lecture
CRN 25481
4 Cr.
Size: 12
Enrolled: 11
Waitlisted: 0
02/01 - 05/21
M T W Th F Sa Su
 

3:25 pm
5:00 pm
Online

 

3:25 pm
5:00 pm
Online

     

Subject: Film Studies (FILM)

CRN: 25481

Online: Sync Distributed | Lecture

Online

Old Core Requirements Met:
     UG Core Human Diversity
     UG Core Literature/Writing

2020 Core Requirements Met:
     Diversity/Soc Just

Other Requirements Met:
     Amer Culture & Diff Minor Appr
     Film Studies History&Analysis
     English Diversity Req.
     Writing to learn

(2020 Core Planning Guide)

  Kanishka Chowdhury

In this course, we will consider the complex constructions of “race” in American film, addressing the following questions: how has the category of “race” been historically constructed, represented, and reproduced in American film? Why are dominant representations often so far removed from peoples’ “real” lives? How is the production of contemporary representations connected to the ways in which we continue to think about race? How do filmmakers resist static representations of race in the present, creating complex and liberating ways to rethink race, especially through its intersections with questions connected to gender, class, and sexuality? Looking at a range of films, from Spike Lee’s “classic” DO THE RIGHT THING to more recent films, such as Aurora Guerrero’s MOSQUITA Y MARI, Dee Rees’s PARIAH, and Isabel Sandoval’s LINGUA FRANCA, as well as analyzing essays by Sherman Alexie, Ta-nehisi Coates, Toni Morrison, Sofia Quintero, and Karen Tei Yamashita, among others, this course will address the complexities of these and other questions. This class satisfies a WAC Writing to Learn requirement, a Film Studies History and Analysis requirement, an English Department Diversity distribution requirement, and both a core Human Diversity requirement and Literature/Writing requirement for students under the old core program. This course also satisfies a Diversity, Inclusion, and Social Justice requirement under the new core. This is a cross-listed course, with eight seats on the ENGL 297 side and 12 seats on the FILM 297 side. Prerequisite: ENGL 121, 190, 201, 202, 203, or 204.

4 Credits


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