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ENGL: English (UG)

201-W03
Sleuth: Mystery Literature
 
Online
D. Jones
Core 
09/04 - 12/20
20/19/0
Online: Synchronous
CRN 42681
4 Cr.
Size: 20
Enrolled: 19
Waitlisted: 0
09/04 - 12/20
M T W Th F Sa Su
             

Subject: English (UG) (ENGL)

CRN: 42681

Online: Synchronous

Online

Old Core Requirements Met:
     UG Core Literature/Writing

2020 Core Requirements Met:
     Integ/Humanities

Other Requirements Met:
     Writing Intensive

(2020 Core Planning Guide)

  Dan Jones

From its beginnings in the mid-nineteenth century, mystery fiction has been a highly formulaic genre. Add a dead body, sprinkle in a handful of usual suspects, provide a quirky detective/police officer to solve the case, occasionally mix in a guilty butler, and you have a proven formula for a potential best-seller. However, a close examination of mystery fiction reveals that there’s more than meets the (private) eye. The authors in this genre often have their fingers on the pulse of the society from which they come, as their texts reflect and critique notions of race, class, gender, social institutions, and more. Additionally, the genre has expanded from the locked-room format employed by writers such as Conan Doyle and Christie and the shady back alleys employed by hard-boiled writers like Hammett and Chandler to focus on things like international politics and espionage, featured in the works of writers like le Carre. Throughout the semester, we’ll examine a handful of texts from the perspective of how these fit with the mystery fiction genre and what these texts have to say about the world they come from, and possibly our own world. The writing load for this fully online course is a minimum of 15 pages of formal revised writing. This course satisfies the WAC Writing Intensive requirement.

4 Credits


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