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ENGL: English (UG)

201-L01
The American Short Story
 
See Details
K. Larson
AMCDCGLCCore 
01/02 - 01/30
20/0/0
Lecture
CRN 10243
4 Cr.
Size: 20
Enrolled: 0
Waitlisted: 0
01/02 - 01/30
M T W Th F Sa Su
 

9:00 am
11:00 am
Online

9:00 am
11:00 am
Online

9:00 am
11:00 am
Online

9:00 am
11:00 am
Online

   
+ asynchronous coursework

Subject: English (UG) (ENGL)

CRN: 10243

Online: Some Synchronous | Lecture

Online

Core Requirements Met:
     Diversity/Soc Just AND Integ/Humanities
     

Other Requirements Met:
     Amer Culture & Diff Minor Appr
     FYE CommGood/Learning Comm
     Writing to learn

Old Core (Pre-2020) Requirements Met:
     UG Core Literature/Writing

(2021 Core Planning Guide)

  Kelli Larson

This course examines the conventions of, and development within, a literary genre during a specific period or across literary history. It may also explore the particular choices made by writers working in several genres and the effects of those choices on us as readers. The course will examine both the conventions and innovations practiced by writers working within one or more genres or periods, and may include study of the authors' reflections on their own work and the work of their fellow writers. The writing load for this course is a minimum of 15 pages of formal revised writing.

4 Credits

217-L02
Multicultural Literature
 
Online
L. Zebuhr
Core 
01/02 - 01/30
20/0/0
Lecture
CRN 10121
4 Cr.
Size: 20
Enrolled: 0
Waitlisted: 0
01/02 - 01/30
M T W Th F Sa Su
             
+ asynchronous coursework

Subject: English (UG) (ENGL)

CRN: 10121

Online: Asynchronous | Lecture

Online

Core Requirements Met:
     Diversity/Soc Just AND Integ/Humanities
     

Other Requirements Met:
     Writing to learn

Old Core (Pre-2020) Requirements Met:
     UG Core Human Diversity
     UG Core Literature/Writing

(2021 Core Planning Guide)

  Laura Zebuhr

What does it mean to be labeled an African American dramatist? A Latino/a poet? A transgender novelist? An Asian American essayist? A Native American environmental writer? How do the varied experiences and backgrounds of authors writing from diverse subject positions inform, mark, and/or transform their writing? How do the works of these writers fit into, conflict with, actively resist, or even redefine the American Literary canon as it has been traditionally understood? These questions and more will be explored in a chronological framework through extensive reading of literature from: a) American communities of color; b) postcolonial peoples; c) immigrant and/or diasporic peoples; or d) LGBTQ communities. This course will focus on the literary and cultural texts of one or more of these groups with an emphasis on the cultural, political, and historical contexts that surround them. This course fulfills the Historical Perspectives requirement in the English major. Prerequisites: ENGL 121 or 190. 

4 Credits

218-L01
Lit by Women:Critical Hist
 
Online
E. James
CoreWomen 
01/02 - 01/30
20/0/0
Lecture
CRN 10244
4 Cr.
Size: 20
Enrolled: 0
Waitlisted: 0
01/02 - 01/30
M T W Th F Sa Su
             
+ asynchronous coursework

Subject: English (UG) (ENGL)

CRN: 10244

Online: Asynchronous | Lecture

Online

Core Requirements Met:
     Integ/Humanities

Other Requirements Met:
     Writing to learn
     WGSS Major Approved
     WGSS Minor Approved

Old Core (Pre-2020) Requirements Met:
     UG Core Human Diversity
     UG Core Literature/Writing

(2021 Core Planning Guide)

  Emily James

From Sappho to Austen to Woolf to Morrison – women have been rendering the world into exquisite words for centuries. But how has the writing of women served as a critique of patriarchy? What impact has women’s writing had on important cultural and political movements such as abolition, suffrage, and environmentalism? In what ways has the writing of women been more radical than polite, more aggressive than demure, more confrontational than deferential? How have women consistently defied the limiting expectations of them through the creation of some of the most experimental, risky, and defiant works of literature in existence? These questions and more will be explored in this course, which focuses on the history of literature by women. While it will concentrate mainly on British and American women writers, the course will also address the work of non-western writers. Ultimately, this course will examine gender and its role in both the composition and reading of literary texts. This course fulfills the Historical Perspectives requirement in the English major. Prerequisites: ENGL 121 or 190. 

4 Credits

FAST: Family Studies

378-L01
Comm & Underrep Families
 
Online
A. Nuru
Core 
01/02 - 01/30
10/0/0
Lecture
CRN 10144
4 Cr.
Size: 10
Enrolled: 0
Waitlisted: 0
01/02 - 01/30
M T W Th F Sa Su
             

Subject: Family Studies (FAST)

CRN: 10144

Online: Asynchronous | Lecture

Online

Core Requirements Met:
     Diversity/Soc Just

Other Requirements Met:
     Writing to learn

(2021 Core Planning Guide)

  Audra Nuru

Given that demographic changes, immigration patterns, transnational adoption, new U.S. Supreme Court rulings impacting LGBTQ+ families, and the addition of a multiracial option on the 2010 Census have all contributed to changes in the ways that individuals and families identify, are formed, and are (re)negotiated, it is of critical importance to examine scholarship highlighting these diverse (and often underrepresented) family forms. Families in the United States today are faced with opportunities and challenges that have never been experienced by families before. The first 21 years of this century have produced large social, civil, and technological changes that impact not only the communication among family members, but has also impacted larger societal discourses about what constitutes “family.” Although family communication scholars have long called for the inclusion of more diverse samples in family research, to date this research remains very limited in the understanding of family functioning, relationships, and processes in families of color, LGBTQ families, transnational and neo-ethnic families, discourse dependent families, and other family forms. To this end, this course examines the communicative experiences of contemporary and underrepresented families.  

4 Credits

MKTG: Marketing

201-L01
Application in Marketing
 
WF 9:00 am - 12:00 pm
S. Vuolo
Core 
01/02 - 01/30
30/0/0
Lecture
CRN 10239
2 Cr.
Size: 30
Enrolled: 0
Waitlisted: 0
01/02 - 01/30
M T W Th F Sa Su
   

9:00 am
12:00 pm
Online

 

9:00 am
12:00 pm
Online

   

Subject: Marketing (MKTG)

CRN: 10239

Online: Sync Distributed | Lecture

Online

Requirements Met:
     Writing to learn

  Stephen Vuolo

Application in Marketing is a 2-credit course designed to build on the foundations provided in Marketing 200 (Introduction to Marketing) by adding branding, consumer behavior, marketing research, and international marketing as concepts that cut across the basic components of marketing analysis, strategy, and implementation. This course emphasizes an application-oriented approach through case-studies, connections with the local marketplace, and problem solving via active-learning classroom activities. Prerequisite: MKTG 200. Note: Students who receive credit for MKTG 201 may not receive credit for MKTG 300.

2 Credits

THTR: Theater

223-L01
History of American Theater
 
Online
S. Custer
AMCDCore 
01/02 - 01/30
24/0/0
Lecture
CRN 10096
4 Cr.
Size: 24
Enrolled: 0
Waitlisted: 0
01/02 - 01/30
M T W Th F Sa Su
             
+ asynchronous coursework

Subject: Theater (THTR)

CRN: 10096

Online: Asynchronous | Lecture

Online

Core Requirements Met:
      Fine Arts
          OR
     Diversity/Soc Just

Other Requirements Met:
     Amer Culture & Diff Minor Appr
     Writing to learn

Old Core (Pre-2020) Requirements Met:
     UG Core Fine Arts
     UG Core Human Diversity

(2021 Core Planning Guide)

  Shanan Custer

Development of theater in the United States from its 17th century roots to the present, with special attention to contemporary American drama. Emphasis on the connections between theater and culture.

4 Credits


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